Color Correcting Dead Man’s Lake
In Part 2 we get down to specifics… what do Ben and Anthony want from the color correction of the sixth installment in their horror short film anthology series, Dead Man’s Lake?
This Skype call was originally recorded to be part of the paid color grading training series Dead Man’s Lake: The Grade-Along (more details here). But we decided instead to drop this in the Tao of Color Podcast feed since many young and aspiring colorists might find our conversation interesting – with insights into the typical concerns and issues that need to be addressed before a single frame of footage is color corrected.
Interview: Benjamin Franklin
Ben is a producer on the popular web series “Bloody Cuts”, a 13 part horror anthology that can be found at www.bloodycuts.co.uk. As a Director of Post Production by day, Ben has worked in video production for over 7 years as both and editor and colorist.
But his love for filmmaking was piqued in early 2011 when he and a few filmmaker friends (and family) found some success in one of the biggest short film competitions in the world. Using that as a launch pad for Bloody Cuts, Ben has managed to assemble a collective that’s since been covered by most major filmmaking websites, received sponsorship from top industry companies such as Millennium FX, and audience figures of over 100k. The team have also recently received an international film award from FilmSkillet.com and are seeing their work played at some of the biggest festivals in the world.
As the series comes to its midpoint, Ben’s commitment to it has seen him take on many different roles within their productions, demonstrated most recently when he took the Director’s chair for “Dead Man’s Lake”.
You can find Ben at:
- Website: www.bloodycuts.co.uk
- Twitter: @bloodycutsfilms
- Facebook: http://www.facebook.com/bloodycuts
Interview: Anthony Melton
Anthony Melton is the Digital Producer for Bloody Cuts Films; a 13 part anthology created for the love and tradition of horror. Being a multidisciplinary creative he designs and develops the Bloody Cuts website and brand, generates supporting digital material; including the behind the scenes films, and now assists in the overall production of the series.
Starting with Dead Mans Lake Anthony has been part of the Assistant Direction team and is heading towards Directing his own episode of Bloody Cuts. On Dead Man’s Lake Anthony performed 2nd AD duties and was the lead Editor. He also provided supporting visual FX work and Motion Graphics.
When Anthony is not hooked to his digital “Lamantation Box” for Bloody Cuts, he works for LAW Creative: a marketting communications agency in Hertfordshie and London. You can follow Anthony on twitter @AnthonyMelton and hear him host the Bloody Cuts podcast here: www.bloodycuts.co.uk/podcast/
You can find Anthony at:
- Website: www.bloodycuts.co.uk
- Twitter: @AnthonyMelton
- Day job: LAW Creative
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Spoiler Alert! There are spoilers throughout this conversation. If you haven’t already, go ahead and watch the 8-minute short horror film, ‘Dead Man’s Lake’ before listening: Dead Man’s Lake
This interview is part of an on-going interview series with the movers, shaker, and thinkers involved in the field of professional color grading for moving images. When I have new episodes to release, they are released on Tuesdays. To be notified you may follow me on Twitter (@patInhofer), via our RSS feed, and on iTunes.